Maurício Weimar has gone to Island to work with music, he said he would be initally staying for a 6 month trial period to see how well he and his wife adapt to the new life.
We want to to say here that we wish Maurício the best, looking foward to seeing great drumming coming from Island, and we hope to see him back soon.
Mauricio is a great musician, other than being one of the best drummers I met, he is also guitar player, bass player, violin player, and who knows what else he might learn to play in the near future, but he is also a great person, fun to be around with, with great experience to share, and I am sure we will all miss him very much while he is gone.
So CHEERZ to Maurício! All the best to you my friend!
This Saturday the 27th, Edner Pizarro recorded his guitar tracks over at Estudio 1000.
The pre-mix sounded pretty good and the recording, although started really early in the morning was full of good laughs and it was lots of fun.
Mission acomplished so far.
We look foward to posting more updates here as they come in.
For some time Anphisbenah has had a profile at MySpace, but since the band has been on a hault, there has not been much activity there, neither here, but earlier today the MySpace blog received its first post.
You can signup to receive the band’s MySpace Blog posts via Feed RSSor signup by e-mail directly on the Anphisbenah MySpace profile page.
If you are in MySpace, be sure to checkout the bands profile, add as friends or subscribe for the updates.
Brazilian metal Kommoandos have in most cases a very strong sense of brutal Holzen. This thesis ANPHISBENAH confirm once more that their rough debut eject “Infinite Mutable fundamental form” also safely “hate chunk” would call. The South Americans play death metal, as other groups of the murder mark CANNIBAL CORPSE or fabricate DEICIDE. The difference with this American football is ANPHISBENAH chapels in the lyrics: Where DEICIDE and summon the Gehörnten CANNIBAL CORPSE in blood baths swim, know the four guys with the difficult remember band name, was horrendous. Its CD therefore largely revolves around the madness on the streets of Brazil, a country that is not just from Carnival in Rio, but also damn much cope with crime. True impact is in the booklet of “Infinite Mutable fundamental form” a big “Fuck off” to the drug dealers from Canoas, the drummer Trouver and wanted to kill his girlfriend and fortunately failed - who experienced something that probably needs no blood, Satan - Splatterlyrics and more writing. ANPHISBENAH channel your anger into socially texts as in ‘Into The Sickness’. Many Hasstiraden go to church at the same time, ‘Testimony‘ is the example here Song: “Burn! Burn the churches of Christ! Kill! Kill the false prophets who killed their own kind!”
Such angry-lines are helpless with brachialstem death metal background. However ANPHISBENAH easily understand it, to vary the pace and their songs to any uniform or second to sound boring. 27 minutes good-sounding guitar raging deep in Ohrmuschelbereich around to röchelt frontman Cesar extremely skilful in his micro. Trouver drummer is also a master of his craft, only the sounds of drums sound a little blechern. But this small shortcoming is next to the ugly cover artwork also the only weak point of “Infinite Mutable fundamental form”. Otherwise create ANPHISBENAH immediately move up to the high death metal-class and deliver a wonderfully technical panel, the throughput of hearing to hearing more and more run into the ear and thunders with songs like “Rise Supreme ‘Mosh huge monster. Congratulations go to Brazil, keep your ears stiff!
By the name of the band, the song titles and the additional fact that this band hails out of Brazil you might be guessing that this is a death metal outfit of the more brutal kind and if so you have done you are absolutely right. This album could be a very good album indeed and the band has the potential to strike big but due to a not-so-perfect production process and a slight tendency of falling into the death metal conformity trap the musical talent is not really done justice here. Anphisbenah do have a lot of talent and there are some great technical and melodic riffing on this album, especially on the opening and closing tracks. The vocals are very dark and quite the opposite of Dani Filth from Cradle if you would want to make a weird comparison, perhaps a little too dark for my taste. As I have already said this is a band that deserves a better production and if they can achieve this with their future recordings Anphisbenah may very well become a band of world class, not only musically but also soundwise.
These sickos out of Brazil play some good, heavy death metal, bottom line! The music is real deep and chunky as well as fast at times. The vocs are rotten, but I mean that in the good way! Deep penetrating voice that hits home. Maybe it’s just me but some of the tunes have a heavy “spanish” feel to em which is a cool addition. I don’t know if it was intentional or not. Then again I drink alot! 4 songs of well produced sick death metal which is a worth while investment for any underground fan. 8 Impalements
Magnific putrid and radical! A fuckin tape very well recorded, with great sound quality, and a dedicated work on the cover (witch has more then the nescessary informations, the lyrics, very well writen by the way), including the very well chosen cover illustration.
Instrumentally theres nothing to comment, you gotta hear the demo yourself to have an exact idea of the putridness dessiminated by the distructive strings of the bass and guitars. The vocal very guttural and very well fit in to the climate of the music, the powerfull drums finish and give the last point to this audio flesh killing. There are four caotic and apocaliptic tracks, with the high lights on Rise Rupreme (with great riffs) and Blind Guidance.
Maurício Weimar has gone to Island to work with music, he said he would be initally staying for a 6 month trial period to see how well he and his wife adapt to the new life.
*Translated with Google Translator*
